sanguine |ˈsa ng gwin|adjective1 cheerfully optimistic : they are not sanguine about the prospect.• (in medieval science and medicine) of or having the constitution associated with the predominance of blood among the bodily humors, supposedly marked by a ruddy complexion and an optimistic disposition.• archaic (of the complexion) florid; ruddy.• archaic bloody or bloodthirsty.2 poetic/literary & Heraldry blood-red.nouna blood-red color.• a deep red-brown crayon or pencil containing iron oxide.• Heraldry a blood-red stain used in blazoning.DERIVATIVESsanguinely |ˈsøŋgwənli| adverbsanguineness |ˈsøŋgwən(n)əs| nounORIGIN Middle English : from Old French sanguin(e) ‘blood-red,’from Latin sanguineus ‘of blood,’ from sanguis, sanguin- ‘blood.’(Edward Tufte)
ARTDESIGNFOODHUMOUR
Showing posts with label human. Show all posts
Showing posts with label human. Show all posts
Sunday, December 19, 2010
Friday, November 26, 2010
Thursday, October 21, 2010
Eating Designer
After ten years of working on food projects, Dutch product designer-turned-eating designer Marije Vogelzang has developed a philosophy about food incorporating eight points: senses, nature, culture, society, technique, psychology, science, and action. She's published two books about food, and this summer opened a restaurant in Amsterdam called Proef. Learn more about Vogelzang in this interview by Gestalten.
Marije Vogelzang from Gestalten on Vimeo.
(via Serious Eats)
Labels:
art,
food,
human,
inspiration
Sunday, October 17, 2010
Wednesday, September 29, 2010
Aqueous Delite
My pictures over recent years engage traditions of landscape, seascape, and architectural photography. Working with a large-format camera and historic process (wet-plate collodion), I have concentrated on locations that are close to or directly on the water. At this juncture between land and sea, I explore subject matter in a constant state of transition. .
For the last year I have been drawn to the people present at these locations, specifically the surfers in Montauk's Ditch Plains, at the eastern end of Long Island. Their avocation is on the water; they are persistent elements in a shifting scene. We overlap on the periphery of two powerful elements; the land and the sea. The singular, primitive act of surfing on the water is eclipsed by the social and negotiated state of human interaction on the shore. The surfers act as a bridge between the sea as an unbridled force of nature and the shore line, a place of leisure and cultural phenomena.
Working with a "wet" instantaneous process that must be prepared and developed on location serves me well. It draws spectators as well as entices new subjects. Using collodion compels me to compose carefully before sensitizing the plate, yet its very nature is spontaneous and unknowable. The raw quality of the process suits the subject matter, and the distinctive appearance of the finished works echoes nineteenth-century traditions of anthropological photography.
-Joni Sternbach
For the last year I have been drawn to the people present at these locations, specifically the surfers in Montauk's Ditch Plains, at the eastern end of Long Island. Their avocation is on the water; they are persistent elements in a shifting scene. We overlap on the periphery of two powerful elements; the land and the sea. The singular, primitive act of surfing on the water is eclipsed by the social and negotiated state of human interaction on the shore. The surfers act as a bridge between the sea as an unbridled force of nature and the shore line, a place of leisure and cultural phenomena.
Working with a "wet" instantaneous process that must be prepared and developed on location serves me well. It draws spectators as well as entices new subjects. Using collodion compels me to compose carefully before sensitizing the plate, yet its very nature is spontaneous and unknowable. The raw quality of the process suits the subject matter, and the distinctive appearance of the finished works echoes nineteenth-century traditions of anthropological photography.
-Joni Sternbach









Labels:
human,
influence,
photography
Sunday, September 19, 2010
Monday, September 13, 2010
The Empathetic Civilisation
Bestselling author, political adviser and social and ethical prophet
Jeremy Rifkin investigates the evolution of empathy and the profound ways
that it has shaped our development and our society.
(via RSA - more animated videos)
Sunday, September 12, 2010
Witty Wit Kin
Joel-Peter Witkin (1939~ )
American photographer based in Albuquerque, New Mexico

Queer Saint, 1999

Crucified Horse, 1999
Monday, August 23, 2010
URGE
Urge and urge and urge,
Always the procreant urge of the world.
-from Leaves of Grass, Walt Whitman
Monday, August 16, 2010
Wednesday, August 4, 2010
Care-whack
After briefly being on the road,
I decided to give Kerouac's book another read.
I curiously wanted to hear what he sounded like and stumbled across
a beautiful reading on The Steve Allen Show -
Saturday, July 31, 2010
Mast Brothers Chocolate
A beautiful glimpse into the Mast Brothers' philosophy
in their approach on chocolate/life.
The Mast Brothers from The Scout on Vimeo.
Friday, July 30, 2010
Tuesday, December 1, 2009
we had to look at chimps and babies to find out we're good at heart!

(From another assignment from Ben Katchor's Visual Narrative class -
2 minutes on each drawing via dictated passage)
The Baby Antichrist Incident
Bic Pen
© Yong Shin
"Of course every animal must to some extent be selfish to survive. But the biologists also see in humans a natural willingness to help.
...not something imposed by parents or culture...
Humans putting their heads together in shared cooperative activities are thus the originators of human culture.
We evolved to be nice to each other,
in other words,
because there was no alternative.
The only people emotionally immune to another's situation...
...are psychopaths.
One can shudder at the thought that the humaneness of our societies would depend on the the whims of politics, culture or religion.
"Warefare is ultimately not a denial of the human capacity for cooperation, but merely the most destructive expression of it." - Lawrence H. Keeley"
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